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Ort: Semisjaure-Njarg (sameby) / Arjeplog (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Reconrding by Arthur Collins. Albany Indestructible cylinder #1459

Ort: Vilhelmina norra (sameby) / Vilhelmina (socken)

Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. III Allegro - IV Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. III Allegro - IV Andante

Ort: Vilhelmina södra (sameby) / Vilhelmina (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Butterfly, remastered.

Schubert, Trio in E flat, second movement, closing bars

Schubert, Trio in E flat, second movement, bars 1-6

Schubert, Trio in E flat, second movement, bars 21-26

Schubert Trio in Eb, second movement, bars 86-89

Ludwig Ernst Gebhardi: Kanon Ehre sei Gott in der Höhe

Songː La Cumparsita. Authorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreterː Julio de Caro Orquestra, 1932. Temaː La Cumparsita. Autorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreteː Julio de Caro Orquesta, 1932.

The Japanese Sandman (1920), by Paul Whiteman and His Ambassador Orchestra

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

Sonatina No. 1 in C Major - I. Allegro by Aaron Dunn

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Valsa choro "Plangente", composed by Chiquinha Gonzaga in 1877 [1] and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1912.

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.

Mozart's song "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte", K. 520

The Ballad of Rodger Young is an American war song by Frank Loesser, written and first performed during World War II in March 1945.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Wind sextet in e flat, op. 71 - iv. rondo - allegro

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.